A painter living in the wilds of Yorkshire (Sheffield, so not really 'wilds' as such). Has been painting for 15 years, properly established in 2008.
Visit my portfoilio website at www.artbyandyonline.com
I was commissioned earlier this year to create a painting similar in tone to my painting 'Nocturne', 2016 .
A bit of a difficult undertaking, or so I thought at the time.
When I'm looking for things to paint I'm looking for elements within spaces that are different to those I've painted before. However, during one of my journey's around Kelham Island in January I realised I had responded to the place in a very familiar way to that of the first Nocturne. A happy accident indeed.
In this following video you can see the steps that went into the making of the painting. (You can see the video in 'full screen' and 1080 HD for the full effect)
The view is from the bridge at Kelham Island looking away from the city, the following link points to the spot on Google Street View https://goo.gl/pM3zUj
It's where I've collected together information, details, videos &
images, with a large links list pointing to where I got the information from in
detailing how to photograph 2D artworks. Hope it might be useful. Ax
A fascinating mood photo of Coronation Street's Ena Sharples (actress
Violet Carson)overlooking industrial Manchester in the late 1960's.
(Photo taken by Lowry... possibly?? John C Madden, 1968
)
"Blessed are the owls, for they shall inherit the mystery and magic of the night." Hilary Rubinstein "The Complete Insomniac",1974 p. 19
Night Owl (i), Night Hawk (i, ii, iii, iv), Night Walker (i), Nocturnal Traveller (i, ii, iii), Noctivagator (i, ii), Noctivagant (i, ii), Night Wanderer (i, ii) Night Stroller, Night Reveller (i), Night Dweller,
Shadow of the Night, Noctambule (i), Noctambulate (i), Noctambulator (i),
Nyctophilist (i)
" . . . [Matthew Beamont] claims to link the indigent or vagabond ‘noctivagator’ (the ‘common
nightwalker’) with the leisurely yet purposeful ‘noctambulator’ (the
‘uncommon nightwalker’) . . . "
"Dark Matters: A Manifesto For the Nocturnal City", 2016,
by Nick Dunn
ISBN-13: 978-1782797487 (paperback)
Click here for website - http://www.zero-books.net/books/dark-matters
" . . . To reclaim some of what is being lost, I propose walking in the night.
This is not the chest-beating, public declaration of protest as commonly
understood, but a gently recalcitrant act against the confines of the
daily grind. To venture into the “thickness” of the night is to
experience, in a powerful and visceral way, a much broader world than
that which exists during the daytime."
The show is now over and am very grateful for all that has happened. I have a page specifically for acknowledgements and 'thank you's which can be read here - 'Acknowledgements'
♦♦♦
As a way to wrap up my time with this show a personal Facebook post from just a few days ago(i) which seems relevant to share here:
" . . . The 'obscure space'
embedded in what the enlightenment identifies as 'man's nature' is both
exterior to him and indispensable to him . . . The obscure spaces of the
metropolitan city, which are at once alien to the bourgeois city's
self-image and essential to its project of self-aggrandisement, are also shadows and blind stains." (Matthew Beaumont, "Night Walking", 2015, pg 113-114)
I'm taking this as suggesting that the hidden alcoves, the shadow
filled alleys are unavoidable. They are the flip side of the pristine
modern city, but the pristine modern city does all it can to disavow
that these places and spaces are needed.
These spaces, I'm at
times exploring, are the spaces that those that help maintain the bright
sparkly clean future city walk through. I'm thinking of the cleaners,
the shop staff, the security staff, the waste disposal people, the
delivery people all of whom use the spaces that we tend to want to pass
by and ignore.
These half lit spaces are often seen as edgy and
dangerous but these are the spaces that the workers of the city use.
Those folk that are the backbone, who exist both in front of and behind
the scenes to keep the spectacle of the modern city running. These
spaces hold the side/back door entrances, trade entrances, delivery
bays, places that obscure the to-ings and fro-ings of those that
maintain the facade of the bright clean city. These spaces are needed
and unavoidably exist in opposition to the supposed 'perfection' that
they help support.
Though obviously London centric the following videos presented by Alain De Botton are saliant views of city planning and some of the huge errors that have been incured in recent years and how to mititgate such errors.
Alain De Botton: 'How to Make an Attractive City' - We've grown good at making many things in the modern world - but strangely the art of making attractive cities has been lost. Here are some key principles for how to make attractive cities once again
Alain de Botton: 'The Ruin of London' - London's skyline was for decades protected by regulations governing the heights of buildings in the historic core. These regulations have now been torn up, and an unprecedented tower building-boom has been unleashed.
James Howard Kunstler is an author who stirs up strong feelings. In this TED talk he is deliberatly provocative in tone and wants to elicit feelings when talking about architecture and town/city planning, something which has been leeched out of all conversation around those spheres. You may agree or you may disagree, but whatever you think this is well worth a watch to my mind.
I highly recommend Kunstler's 1994 book 'The Geography Of Nowhere: The Rise And Decline of America's Man-Made Landscape':
'The Geography Of Nowhere: The Rise And Decline of America's Man-Made Landscape', 1994
By James Howard Kunstler ISBN-13: 978-0671888251 (Out of print)
I came across this book when looking for writing about cities going
through huge moments of change. The title alone had me hooked.
"Eighty percent of everything ever built in America has been built since
the end of World War II. This tragic landscape of highway strips,
parking lots, housing tracts, mega-malls, junked cities, and ravaged
countryside is not simply an expression of our economic predicament, but
in large part a cause. It is the everyday environment where most
Americans live and work, and it represents a gathering calamity whose
effects we have hardly begun to measure. In The Geography of Nowhere,
James Howard Kunstler traces America's evolution from a nation of Main
Streets and coherent communities to a land where every place is like
no place in particular, where the city is a dead zone and the countryside
a wasteland of cars and blacktop. Now that the great suburban build-out
is over, Kunstler argues, we are stuck with the consequences: a
national living arrangement that destroys civic life while imposing
enormous social costs and economic burdens."
(Though 'out of print' it is available to buy online from the Waterstone's Marketplace here.)
Also see -
'Home from Nowhere: Remaking Our Everyday World for the 21st Century', 1998
by James Howard Kunstler
ISBN-13: 978-0684837376 Abebooks link
'The City in Mind: Notes on the Urban Condition', 2003
by James Howard Kunstler
ISBN-13: 978-0743227230 Abebooks link
